Breezing Up Winslow Homer Essays - Breezing Up, Winslow Homer, Sea

Breezing Up Winslow Homer The 1873 masterpiece Breezing Up, by Winslow Homer located in the National Gallery of Art in Washington DC is an oil on canvas painting that measures 23 3/13 X 38 1/6 in.. The primary subject of this painting is a man with three boys in a small wooden sail boat that is moving along with what appears to be a fairly choppy sea. At the center of this painting is the stern of the sail boat. The oldest of the boys is sitting on the high end of the stern with his knees up and his bare feet planted flat on the deck in order to keep him from slipping down into the water. This image forms a powerful triangle in the center of the painting. The boy?s use of only one hand on the tiller line combined with his relaxed posture suggest that he is very much at ease with his responsibility of steering the boat. His face is only visible in a semi-profile view which exposes his chin, left cheek, and eye socket. These features are well defined against thick layers of puffy clouds which are lingering over the water. Like the others in the boat he is facing away from the setting sun which causes the light to reflect off the back of his long sleeved shirt and hat. Just to the boy?s right is the man in the boat who is presumably the father of the boys. His seated position below the deck allows the viewer only to see his face shoulders, arms, and hands. His red long sleeved shirt is the brightest color in the painting, and his calloused hands show strength as he holds the halyard firm in the cleat with a fully extended arm. Of the four people in the boat he is the only one with a troubled look on his face. According to David Prown this is a very common characteristic in Homer?s work. He says: Although the adults of Homer?s world seem isolated, his children frolic together in a cheerful world of laughter and mutuality. For Homer, growing up seems to imply a loss, a fall from paradise, removal from happy, carefree innocence and high spirits to a serious, lonely existence in which each man is an island unto himself. (Prown 86) This is the perfect description of the expressions of the people in this painting. The children are clearly relaxed and content, but the father has an expression that suggests that he has something weighing heavy on his mind, and that he is receiving only temporary relief as he relaxes on the water with his sons. The other two boys are relaxing up towards the bow of the boat. The older of the two is stretched out across the deck covering the width of the bow with his leather shoes hovering inches over the water. The youngest of the boys is sitting up right on the deck with his feet resting inside the boat and he has a pleasant look of deep thought on his face. Clearly all of these boys are relaxed and content with their surroundings. Numerous fish inside of the boat suggest that this group has had an afternoon of fishing and recreation. They are not dressed for serious fishing, so there is a good chance they are out there strictly for leisure. A building off the bow on the distant shore is barely visible, and combined with the long shadows of the setting sun, it seems that they are heading home. Homers soft blue sky and puffy white clouds take up 2/3 of the canvas, leaving only the bottom third for the water and the horizon. The sky is completely empty except for a lone gull who?s wings are lit up by the sun as is hovers directly in line with what appears to be a tiny illuminated sail of another boat on the very distant horizon. Homer also has an uncommon ability to recreate curves just as they would appear in nature. He uses this ability to capture the shape and form of the rolling waves in the sea, by even more than that he uses it to capture the human experience. The use of the sunlight as it reflects off the cloths of the people in the boat adds to the realistic nature of this painting. The wrinkles of white cotton shirts of the boy?s are accented brilliantly as the sun illuminates and caused shadows on different parts of their arms. The four people in this painting express more with their body language that they do with their facial expressions. Particularly the curve of their backs is evidence of their state of relaxation. In the children there is no evidence of tension in their bodies.

Figurative and Alternate Meanings for 20 Medical Terms

Figurative and Alternate Meanings for 20 Medical Terms Figurative and Alternate Meanings for 20 Medical Terms Figurative and Alternate Meanings for 20 Medical Terms By Mark Nichol Words used to describe medical conditions or phenomena often acquire new connotations by extension of the original meaning, though sometimes the medical meaning followed rather than fostered the other. Here are twenty such terms and their other senses, as well as the initial definition. 1. Anemic: lacking in some quality, such as energy, interest, quantity, or substance (blood deficiency, resulting in a lack of vitality) 2. Artery: a communication or transportation channel, especially a major one (vessels that carry blood from the heart throughout the body) 3. Articulation: the action, manner, or state of being joined, or expressing or uttering sounds or words; also, an obstruction (a joint or juncture in an animal) 4. Cataracts: waterfalls or steep rapids, or torrents (a clouding of the eye that obstructs light) this word, from the Latin term for a portcullis, a gate that is lowered from above, likely acquired the medical connotation later, from the resemblance of the clouding to a sheet of water 5. Diagnosis: an analysis or investigation, or its conclusion (using signs and symptoms to identify a disease, or the identification itself) 6. Dyspeptic: disgruntled (suffering from indigestion) 7. Hallucination: delusion (false perception caused by drugs or a nervous system disorder, or the object so perceived) 8. Hemorrhage: a significant loss or release (a heavy flow of blood) 9. Morbid: melancholy or gruesome, or related to death (pertaining to or affected by or causing disease) 10. Nasal: a vocal quality suggestion obstruction in the nose (pertaining to the nose) 11. Nerve: boldness, strength, or a sensitive issue (tissue that connects components of an organism’s nervous system, or sinews or tendons) 12. Oral: spoken (pertaining to the mouth, or to personality traits or a stage of psychological development) 13. Paralysis: incapacity or powerlessness (loss of ability to sense and move part or all of the body) 14. Plethora: abundance, excess (an excess of blood) 15. Postmortem: an analysis or discussion of an event after it has occurred (an autopsy) 16. Prognosis: forecast (chances for recovery from disease) 17. Sanguine: bloodthirsty, or optimistic (pertaining to blood, or having a ruddy complexion) 18. Schizophrenia: antagonistic or contrary attitudes or qualities (a psychiatric disorder marked by delusion of perception and thought) 19. Surgical: marked by precision (pertaining to medical operations) 20. Umbilical: used in references to excessive emotional attachment (pertaining to the navel or the center of the abdomen) Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:Wether, Weather, WhetherThe Possessive ApostropheMankind vs. Humankind

Ideologies in Media Texts Outline Example | Topics and Well Written Essays - 500 words

Ideologies in Media Texts - Outline Example In providing an argument in the paper I have the intention to prove the significance of ideologies in the media. Generally, these arguments will be based on how much important media sources require ideologies to capture the attention and reasoning of their audiences. Additionally, the paper will provide implementation strategies that media sources should use in order to bring out the real intent of ideologies. The paper will also create frameworks in which ideologies may be effectively presented to influence real case scenarios. The paper will be in support of the argument that ideologies form the basis of all media presentations. Additionally, this supportive argument is based on how can ideologies are well used and implemented by media tools and mediums. The paper will provide a case study of a political ideology presented in the media text. The case study is retrieved from Le Besco & Naccarato (2008) who argue out on the importance of media ideologies in terms of presenting political views and perceptions. In this particular case study, the media publications try to influence the public view on how political leaders use dirty tactics to gain supremacy. The ideologies are further based on the historical occurrences regarding the same issue. Additionally, the paper still highlights a case study based on the lifestyle issue among people. This particular case study seeks to provide a scenario of how influential lifestyle publications are in terms of creating a direction of belief among the public (Barwise & Gordon, 2002). The paper supports the assumption that lifestyle publications are of high significance in influencing decisions made by the public in terms of lifestyles (Adorno & Horkheimer, 1993). The case study as highlighted by B irmingham (2000) also supports the same sentiments and  provides further recommendations on how well to present these ideologies.